Sacred Harp Singers
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Sacred Harp “singings” are not performances. There are no rehearsals and no separate seats for an audience. Every singing is a unique and self-sufficient event with a different group of assembled participants. The singers sit in a hollow square formation with one voice part on each side, all facing inwards so we can see and hear each other. However, visitors are always welcome to sit anywhere in the room and participate as listeners.
Why is it called “Sacred Harp”?
Technically, our style of singing is “shape note singing” because the musical notation uses note heads in 4 distinct shapes to aid in sight-reading, but it is often called “Sacred Harp” singing because the books that most singers use today are called “The Sacred Harp,” with the most prominent of these being the 1991 Denson edition. The term “sacred harp” refers to the human voice — that is, the musical instrument you were given at birth.
In 1844, The Sacred Harp was just one of more than 100 oblong hymn books published in the U.S. It has been continuously updated ever since. Along with other hymn books from the era, a handful of which are also still published and used, its repertoire of over 500 4-part a cappella hymns, odes, and anthems is part of the foundation of our vibrant oral tradition. There are dozens of living composers still actively writing new tunes within the traditional styles and shape note format. Other shape note books still in use today include Christian Harmony (using a 7-shape notation), New Harp of Columbia, plus several others, including some entirely new collections such as Northern Harmony.
Source: Sacred Harp Musical Heritage Association